The surrealism of Juan Mirò and the realism of Ortega, which is added the suggestion practiced on the artist by the mighty realistic-social symbology of Siqueires, beside who he worked after a first political escape from Spain, constitute the base on which has been built, in manner quite autonomous, the painting of Gutierrez De Velasco Fernando.

The mentioned components are easily recognizable in his art, but the creative inspiration of our master has projected them in quite unpublished directions, on the other hand, they reveal the insatiability of his searches because they never rest on an initial or a formula, but they appear prey of a continuous transfiguration with the intent of make imagination could space in more and more vast and unpredictable fields.

Of course, to realize similar intents, it is necessary to possess an inexhaustible creative inspiration and it is quite this characteristic that we find, in manner as never evident, in the painting of the Spanish exile become Italian for election.

The intensity of his color is equal to the unforeseeability of his intuitions, that mainly places trust in the dream and in the memory to stimulate evocations from which the existential contradictions derive a their own puzzling coherence of style.
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Diritti d'Autore • Gutierez Mercuriali Fernando Xavier
art. 2575 c.c. • legge 22 aprile 1941 n°633

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